#1 Fleet Foxes: Fleet Foxes
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#2 Eye in the Sky: Alan Parson's Project
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#3 Summer in Abaddon: Pinback
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#4 Oracular Spectacular: MGMT
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#5 EP: Asteroids Galaxy Tour
His study has a memory. In the bookshelf the is kept all his yawning;
his breath on every page of every book. The chair holds all his sadness;
the arms his tears, the back his heaving sighs. The mirror holds his smiles,
his brow lifted by its wooden frame. The desk is keeping secrets;
held down by the paperweight, kept bright by the lamp. His pen sits quiet,
feeling heavy with the weight of knowing who he loves,
who he needs to feel safe.
The coat rack is carrying the largest load of all.
On his arm hangs the coat that leaves the study.
The coat is a traveler. He knows what nothing in the study knows.
He alone stood watching and waiting for the sled.
In his pocket the blossoms lie dying.
On his lapel only a faint memory of lily and rose.
He alone has touched her.
He alone to hold her.
There he hangs with solemn knowledge.
The others wait to hear, but live to tell.
They will tell L---- who he is,
If you would be so kind, I would like to ask you a question. It’s understandable if you don’t feel comfortable. It’s alright if you’re scared. If you’ll just step outside I can explain everything. There, see? No pain or displeasure. Do you remember the sun Jeremy? Do you think of your family? There will be plenty of time to answer your questions. For now I need you to listen. I have something important to tell you.
I’ve seen you pacing past the windows of your house. I know you are sad because they don’t come to visit. I know it confuses you. It’s not important how I know. What you must understand Jeremy is that I am sorry. So very sorry.
Why…
Oh Jeremy, how can I tell you? How can I say it?
Yes…yes Jeremy. You’re dead.
It has now occurred to me that of late I have exhibited much unwarranted heaviness. My lifestyle is characterized by ease and in truth I lack nothing essential. Proximity to negative influences provides adequate opportunity to act boorishly. Unfortunately I have allowed negative impulses to become negative inclinations; somehow convincing myself that I do not know all the pleasant things that I, in fact, paid a rather dear price to learn. I have never cared much for this kind of behavior. I mostly lack the energy to maintain ill humor for more than a few hours, although I was once successful in being unpleasant for three days in a row. Ultimately I become bored with the monotony of one single emotion, more specifically something as varied and therefore nebulous as being unhappy. I can remember numerous occasions when emotional and social stresses brought me low enough to feel—perhaps dejected is the word—it occurred to me that many people in my current situation would cry as a means of emotional release or cathartic easement. Yet every time I attempted to muster the emotion necessary to achieve tears I would get so bored with what I was doing that I would invariably stand up and leave wherever I had been in an attempt to find something at the very least more diverting or entertaining to do if not some more industrious endeavor. And so I found myself gazing rather affectedly out a window on campus and realized that I was acting rather foolishly. I was making allowances and giving considerations to things and people of no consequence to the effect of limiting my own chances at happiness. I would be better off doing more and thinking less but since I can only seem to handle 14 very carefully selected credits in one semester I find much of my free time open to muse about things that absolutely do not matter. Thankfully I have now become fully bored with this current train of thought and feel completely prepared to get something to eat.
There are only so many things one can say about music from the...well whenever the Blue Oyster Cult was still making music. One of the things that can be said is "wow" also "What?"
Remember the time they wrote a song about Godzilla? Also, remember the time that Tobius dressed like a mole and George-Michael heroically flew his jetpack right into him.
If you will recall there is a bridge following the second verse of Don't Fear the Reaper. First the guitar creeps up the cold dungeon wall like the sparking of rats eyes in the dark, blinking and flashing to the rhythm of fetid water dropping to the stony floor. Then the drums shake like chains in a prison, slowly building like bile in the stomach until the Explosion of tremolo picking that announces the arrival of the Count girded in flames. His smoldering arrogance lashing the against the bars of his dungeon, coiling around the buttons of his lordly coat. His visage blazes, burning away hope and love, and scoring down the halls fills the world with fire. The floor gives way in a flourish of white that drips molten disdain deep into the billow of smoke and stone. Heavy chorded rhythm begins an arduous climb up the castle heights. Finally the tower is engulfed to the eaves and a beacon shines over the canyon clouds and blue murk of morning: words "Love of two is one, here but now they're gone."